Starship Troopers Co-Producer Explains Why He Was ‘Terrified’ To Work On The Beloved Sci-Fi Film
Having been a part of the filmmaking trade for 5 decades, Phil Tippett’s work in creature design, stop-motion, and character animation has been seen in motion pictures like the original Star Wars trilogy, Indiana Jones and the Temple of Doom, and Jurassic Park. Nonetheless, 1997’s Starship Troopers holds a very particular place in Tippett’s coronary heart, although during my recent conversation with the co-producer, he admitted that he was “terrified” to work on the sci-fi film that’s now considered a beloved cult classic.
Phil Tippett is among the individuals who have been interviewed for Light & Magic, which explores the origins of Industrial Light & Magic and how the visual effects studio has impacted the film industry. I was able to converse with Tippett and fellow VFX heavyweight Dennis Muren during the press day for the docuseries that Disney+ subscribers can watch now, and one of the questions I asked them was if there were any cinematic moments or sequences that filled them with joy every time they see one of the movies they’ve worked on. Tippett answered:
For me, it was Starship Troopers, because we had just done Jurassic Park before, and ILM and Dennis [Muren] did all the really heavy lifting on that. We did the animation for two scenes, and then Paul [Verhoeven] insisted that I be the visual effects supervisor on Troopers. And I was terrified. There was no reason on the planet that I could have any confidence that that could be pulled off with like hundreds and hundreds and hundreds of bugs. And it really wasn’t until I had a dream that pointed me in the right direction. And it was something that I already knew, but my fear kind of obliterated what I knew. And that was one foot in front of the other. Do not think about anything. Do not think about the step you took before, the step you’re gonna take, only be like right there in that moment, dealing with those. Not thousands of things, but pick the big six things and concentrate on those.
As previously noted, Phil Tippett certainly wasn’t lacking in experience with bringing film creatures to life when he boarded Starship Troopers. Significantly since, as he noted, he had just come off Jurassic Park, the “excellent film” to revolutionize visual effects, as Dennis Muren described it. Nonetheless, there was something about the Paul Verhoeven-helmed film that made working as the visual effects supervisor feel like a daunting job for Tippett. Fortunately, the mix of that dream of his and realizing he shouldn’t overthink things led to him realizing he could deal with the challenges thrown his way on Starship Troopers, Verhoeven’s follow-up to 1995’s Showgirls.
Along with his work as the visual effects supervisor on Starship Troopers, Paul Verhoeven has said that Phil Tippett helped direct the film’s large battle scenes between the humans and the Arachnids. This led to Tippett, together with Scott E. Anderson, Alec Gillis and John Richardson, being nominated for a Best Visual Effects Oscar at the 70th Academy Awards, although Titanic took home the gold in that category. Regarding Starship Troopers as a whole, although it was met with primarily negative reviews when it was released, the film starring Casper Van Dien, Dina Meyer, Denise Richards, Jake Busey and Neil Patrick Harris (amongst others) has enjoyed more positive critical reception in recent years, like other ‘90s movies.
Phil Tippett returned to helm the direct-to-video sequel Starship Troopers 2: Hero of the Federation, which was released in 2004 and followed by 2008’s Starship Troopers 3: Marauder. While there had been plans at one point to make a Starship Troopers reboot, there hasn’t been an update on that project in over half a decade. You can learn more about Tippett’s career by watching Light & Magic on Disney+ (opens in new tab), as well as keep track of films on the horizon with our 2022 release schedule and 2023 release schedule.