”Them” (American horror drama streaming TV anthology series) was first broadcast on Amazon Prime Video, Apr 9, 2021. Them Season 2 will premiere on the following dates and times: Them season 2 will be released shortly.

Little Marvin created Them, an American horror streaming TV anthology series. Marvin is also an executive producer along with Roy Lee, Miri Yaon, Lena Waithe, and Don Kurt. Larysa Kondracki and Michael Connolly are also involved.

Amazon placed a second season order for the project on July 28, 2018. The first season premiered on Amazon Prime Video, April 9, 2021. It currently has a 62% score at Rotten Tomatoes.

When will the second season be released? What’s the plot? Who will be able to play the same roles again? Continue reading to learn more.

Them Before Season 2

Before approaching Them Season 2, let us make a small summary of the last season.

Them Season 1 explained

Season 1 of Amazon Prime Video’s original anthology series Them is titled Them: Covenant. It was set in 1953 and tells of the Emory family. The Emorys must fight against hateful, racist neighbors, and supernatural forces to survive when they move from North Carolina to East Compton, California. After moving into their new home, each member of the family — father Henry (Ashley Thomas), mother Livia “Lucky”, and daughters Ruby Lee and Gracie (Melody Hurd) — is immediately haunted and terrorized by various evil entities.

The season’s finale is split into two parts, “Covenant” (Covenant II) and tells part of the origin story about the Black Hat Man (Christopher Heyerdahl), who is the evil entity responsible for the neighborhood’s malign nature. Lucky fights for her family against all the horrors surrounding them. As the smoke clears, the Emory clan is still standing. This is Them season 1’s ending.

The Emory family must learn to deal with their pain.

The Emorys’ youngest son Chester was murdered and this is what drove them to California, away from the Jim Crow Era South. They had the same doubts and fears in California as they did in North Carolina. Henry’s feeling of helplessness after his wife was assaulted by the Da Tap Dance Man (Jeremiah Birkett). Gracie, the youngest daughter, fears Miss Vera (Dirk Rogers), a book character that is a manifestation of her growing anxiety. Ruby Lee, a teenage girl who is obsessed with self-harm, is influenced by Doris (Sophie Guest), an older white girl at her school who represents all Ruby Lee wants to be. They also fear their mother who is driven to self-doubt, and even madness by Black Hat Man.

Lucky only believes in herself until she can escape the oppressive asylum. Lucky is able to rescue her family from the Black Hat Man’s wrath. Because of her faith in the bonds between her family, she is able to access the supernatural realms of others. Lucky saves Miss Vera’s Gracie by believing in her. Ruby is saved from harm by her reminder that she will never hurt Ruby, just like Doris. Lucky helps her husband reach his lowest point and reminds him of their family.

Henry broke the grip Da Tap Dance Man had on him by shooting him and wiping his makeup off to reveal a white man. This reveal signifies that Da Tap Dance Man was yet another manifestation of the doubts and fears the family had to overcome. Nearly all ghosts hint at the fact that they are different versions of Hiram Epps (aka the Black Hat Man).

Lucky is able to stand her ground when Hiram Epps confronts her. Lucky shouts “I’m right there, I see you!” in disobedience to Hiram. This cripples him and forces Hiram to confront the unjust pain that he has inflicted on the Black family of his town.

Them season 1’s main theme is Them’s long-running history in America of racial unrest. Little Marvin, creator of Them, stated that the inspiration for the horror-themed show was “being able to explore the kind of darkness beneath homeownership and underneath the American Dream.”

Them season 1, although it was set in the 1950s, reflects the problems Black Americans face today, especially in the housing market. “Will I be able to get the loan? What if I don’t get the loan? They will inspect my house. What is the reason why my house is being appraised at a lower price than it should? These questions are based upon decades and decades of disenfranchisement in this market,” Marvin told Variety. “I wanted to explore that seed, that idea, and also the fact that we still live in a segregated society in many ways.”

Marvin said that he discovered Compton’s roots in white supremacy while researching the area. This discovery led to a series of ideas for the show, which he described as a “series of lightbulbs” in his head. Marvin also wanted to show the truth of what many families faced during the Great Migration: being forced to move to a new location only to face the same hatred, terror, and anger they fled in the south.

Marvin stated that he believed the violence was necessary in order to convey his message. According to Marvin, although there might be some concern about the violence, the story is still true to its core, and the violence contributes towards the overall message. He said that he wanted to show the murder of Chester infant, and that he wanted it to be a scene that would tear through the screen, grab viewers by the jugular, and make them confront the history of violence against Black bodies in the country. The same sentiment applies for the scenes showing Martha’s blinding and hanging (Nona Parker Johnson), and Grafton’s (Cranston Johnson).

The first season of the show has been compared with similar horrors such as Jordan Peele’s Us, Antebellum, or HBO’s Lovecraft Country. All of these are examples of the racism Black Americans have suffered.

Release Date for Them Season 2

The release date for Them Season 2 is not yet known. The second season of Them will be released sometime in late 2022, or 2023.

The new season could include 10 episodes, just like the first. In the coming months, more information about the second season will be available.

Them Season 2 plot: What could it be about?

The series follows a family of Black people who move to Los Angeles in the 1950s. The Great Migration was a movement that involved African Americans between the 1910s to the 1970s.

Families fled to the east and west after being confronted by racist sentiments in rural America. The Emory family was among them. Lucky Emory and Henry Emory, her husband, emigrated with their children Gracie, Ruby, and their two children from North Carolina during the Great Migration of 1953.

They are part of a four-member Black family whose main goal is to rebuild their lives after the horrendous events in North Carolina. After many years of searching, the family finally found a home that was perfect for them and began to realize their dreams.

They quickly realize that everything has not changed, and they face many obstacles once they arrive in their new locale. They were followed blindly by thousands of indigenous people. Families become involved in the dangerous, otherworldly games of their neighbors.

The family’s home in a tree-lined and beautiful neighborhood was becoming a crime scene with neighbors and paranormal entities trying to harass, injure and destroy them.

Them Season 2 Cast

Many actors play both the Emory family and the supernatural beings that are after them. Lucky Emory is played by Deborah Ayorinde, Henry is played by Ashley Thomas. Shahadi Wright Joseph plays Ruby and Melody Hurd plays Gracie. Alison Pill plays the main villain.

It’s unlikely that any episodes of “Them”, a collection of short stories, will feature the Emory family (at most the current generation).

The show’s focus is on horror stories and stories about minorities. This means that some of the actors from the first season could be cast again in the second. It’s possible that Season 2 will see the casting of all-new actors.

Review Before Watching Them Season 2

Amazon’s “Them”, a series about Black Americans in America, is begging for its own shelf in horror. The series, created by Little Marvin, responds to the nation’s current investigation into the on-camera killing of a Black man by an officer. It has ten episodes, is packed with every camera trick and brimming with Black American trauma. It’s a series that takes you there at full speed, using a Black family living in suburban hell in 1950s America as a mirror of everything that has gone before it. It is more terrifying than horror and it is easier to accept as loving exploitation than brutal high-art. It raises larger questions about when reflection trauma in horror becomes part of the style, despite its grave emotional context.

The film “Them”, which was shot in sunny East Compton (CA) over ten days, shows what happens when the Emorys move in with a Black family from North Carolina to the suburb. They are immediately met with hostility from their neighbors, who camp out in front of their new house and blast their radios, as if they would rather be hit by cars than have their neighbor on their street. Henry Emory (Ashley Thomas), and Lucky (Deborah Ayorinde), agree to not run any more, grinning through the white noise. The neighbors are led by Karen Stepfords such as Alison Pill’s Betty. They want to dehumanize and provoke them, while still maintaining a false friendliness toward one another. Episode 1 ends with white neighbors poisoning Lucky’s dog. Lucky is inspired by this act to confront them, Henry holding his gun. It only encourages the neighbors to turn their disgusting fear into more hateful hatred.

Each Emory has a story that could be made into a movie. However, they are included here to tell a tale of various descents into madness relating to racism and identity. Henry begins his engineering job, where he is the only Black person in the office and receives all kinds of racist comments at work. Henry does more than just bite his tongue when his boss makes a snide comment about Henry. Although he was a World War II veteran, he is now able to prove himself in the field. However, he also knows that his current environment forces him to accept it. Henry’s storyline seems to be the most detailed, especially since his rage leads him to a relationship that is both disturbingly historical and romantic.

Henry is not the only one who sees supernatural beings. All of the Emorys also have interactions with strange beings that reflect their inner turmoil. Lucky is still dealing with her trauma, which will be revealed later in the story. Lucky also tries to find out what happened to other Black families that moved to the area. She goes through a lot of emotions about her backstory, which later becomes clear. Ruby, 14 years old, is determined to be different from her mother and confronts racism at school. Young Gracie, the youngest member of the family and the least developed, has her own visions about the Emory home. These visions are related to a book that she’s been reading.

These heartbreaking stories are told with a lot of emotion from the main cast. The narrative often leads them into trauma. It is only in the second half, 160 minutes, that the narrative begins to feel more real. The narrative starts to question what happens to these characters when they fight back and make decisions from which there is no turning back. But then the machinations of the story take over, and “Them” clumsily mixes its supernatural and ripped-from-the-headlines horror.

All of this takes place in the lavish, hollow suburbia from the 1950s. Here we see beautiful glimpses of elegant living rooms, gaudy wallpaper, and lots of exquisite dresses. It is as elegant as the show’s cinematography which strives for one perfect shot. The style almost takes over, even though there is so much suffering in “Them”, as the show drags from episode-to-episode in the first half. The style is present whenever the camera goes topsy-turvy during sinister conversations, when it puts two faces in split-screen so we can see their tears in unison, and when a period-appropriate radio song is meant to set off a sunlit nightmare. The style is “Them’s” way to get the audience to notice the pain and anger it depicts. But it also helps to push out the vital human nuance.

“Them” is a show that doesn’t mind being horrifying and making you uncomfortable, especially when the Emorys are confronted with more terrifying terror from their neighbors. The show is not without its moments of terror. The show isn’t without its scares. There are a few jump-scares featuring shadowy characters (Amazon asked reviewers to not go into too much detail). These are meant to remind viewers that it is not just about racism, but also entertaining. These sequences are often directed by trusted genre veterans like Daniel Stam (“The Last Exorcism”) and Ti West (“The Innkeepers”); they don’t always work due to their familiar construction and rhythms. It helps less when freaky hallucination scenes feel repetitive, as though a shorter production would have cut them. They are especially noticeable in the first half, where they contribute to the show’s repetitive nature. This is only true when the show is based on experience (like Henry’s working days). These corny scares are often emotionally charged, but the meaning can get lost when they rely so heavily on horror language.

The series’ horror becomes a kind of pointed storytelling device that takes up more space. Consider the series’ focus on white supremacy angles like Alison Pill’s Betty. She gives a grotesque performance but with her forced smile, forceful presence among her peers and her forced smile, scenes that focus on white characters generally play out as padding. There are small divertissements about neighbors and a milkman for good measure. Their scenes of plotting against the Emorys and talking about them in dehumanizing ways are repeated over and over again. This is something we accept right from the beginning but have very little to do with. It becomes more apparent how white supremacy can cause harm to its members and the wider corrosive nature it is.

The middle episode of the series is the most powerful, as directed by Janicza Bravo (”Lem”). Bravo’s episode has a dramatic climax. It is, just like many other episodes in “Them”, pushes its storytelling style but is still a fitting fit for the series’ jump-scare supernatural horror. The episode treats evil elements like a pervasive, unstoppable force, much like ”A Clockwork Orange”. This is a brutal episode, considering it already had a lot of pain. Bravo’s episode is a challenging one, despite its many flaws. It enjoys its disorienting music and editing, and it makes a point of its terror through being so brutal and ugly.

It is difficult to fully appreciate “Them” and all it stands for. This strange production choice favors white horror film directors (and men) for its storytelling. Nine of the ten episodes are made by them. This makes the series seem drab and lets pervasive whiteness control. What does it signify when a show that is so explicit about Black trauma is not being directed by Black directors? How many Black directors did they approach initially?

It can be a very fragile series. One could view it as a brutal entertainment show or as a way to honor the traumatic experiences of racism in the present, past, and future. It seems that the discord stems from its dual impulses of wanting to be brutal, in-your face, and exploitation while also wanting the elegance of fine art. It loves the Emorys but wants to see what they can do. It is often difficult to decide which side you are on. This can affect how a character’s soul and body relate to a story. And it can also influence how audience members view experiences that might not be their own. It is not the best way to depict its history, but “Them” often asks whether this is the right way.

What will be the number of episodes in season 2?

The showrunner decides that Them will be made. It might then have ten or more episodes, as it did in the past with ten episodes. The upcoming season will have at least ten episodes.

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Them Season 2 Trailer

The trailer for Season 2 has yet to be released. It might be out soon after the confirmation of the second season of the TV series.

Let’s see the trailer for Them’s first season. It was released by Amazon Prime Video on March 22, 2021. It’s available for you to see below.